
Editorial and Advisory Board
Contents
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CONTENTS
DWELLING AFTER HUMANITY
Tanushree Mitra Sutanuka Banerjee, Exploring Conflicting Cosmopolitan Consciousness: The Transnational Theme in Henry James’s The Ambassadors / 9
Jyothis Josekutty, R. Joseph Ponniah, Stylistic Analysis of the Poem “I Dwell in Possibility” by Emily Dickinson / 17
Alexandru Budac, Ghost Light. The Strange Fabric of Reality in Cormac McCarthy’s The Passenger / 27
Nicolae Bobaru, Beyond Archetypes. Kathy Acker, Punk Aesthetics, and the Evolution of Feminist Narratives / 37
Cristina Chevereșan, Mocking the Myth: From Philip Roth to Word Smith / 49
Jovanka Kalaba Karlica, The Cultural and Historical Context of Parody in Postmodern Literature: The Case of Thomas Pynchon’s The Crying of Lot 49 / 61
Barbara Miceli, Two Fathers: Comparing Italian and American Father-Hood in Wally Lamb’s I Know This Much is True / 73
Milica Rađenović, The Post-Truth World in Lorrie Moore’s “I Am Homeless if This is Not My Home” / 83
Adriana Răducanu, Crimson Chronicles: Probing Illness and Politics in Dan Simmons’ Children of the Night / 91
Sridheepika Varadareddiar Subramanian, Kulamangalam Thiyagarajan Tamilmani, Posthuman Predilections and Protean Visions in Stephen King’s Billy Summers and Later / 105
Gabriela Glăvan, Writing the Covid Pandemic: The Politics of Storytelling in Fourteen Days (Edited by Margaret Atwood and Douglas Preston) / 117
SITUATED BEYOND THE SELF
Beatrice Nori, Hotels, Rooms and Beds: A Journey into Carol Ann Duffy’s Haunted Places / 131
Teodora S. Ilić, Parental Influence and the Electra Complex in Alasdair Gray’s Poor Things / 141
Fernando Galván, The Role of Female Agency in Biofiction: The Case of Maggie O’Farrell’s Hamnet / 151
Estella Ciobanu, To the Bare Bone: Anatomies of (Dis) Embodiment in Shakespeare / 163
Dragoș Ivana, A City of Contrasts: The Underbelly of Eighteenth-Century London / 177
Carmen Gómez-Galisteo, Sense and Sensibility Rewritten: Revising Love and Marriage in Jane Austen and Joanna Trollope’s Sequel / 187
Liudmyla Hryzhak, Exploring ‘Creature’ in Modernist Novels / 199
Jaya Pratha Radhakrishnan, The Angry Young Narratives in English Dystopia / 211
Catherine Macmillan, Something’s Burning (Out) in Monica Ali’s In The Kitchen: Gabriel’s Journey from Achievement-Subject to Homo Sacer and Beyond / 223
Ileana Șora Dimitriu, Displaced Lives: Ambiguities of Compassion in Michiel Heyns’s Novel Each Mortal Thing / 233
Jean Rossmann, Beverley Jane Cornelius, Demythologising the Rhino: From Dürer to Venter, From Beast to Being / 245
TERRITORIES OF BECOMING
Loredana Pungă, Andrea Putnoky, Judging Books by Their Titles: Translating Yasunari Kawabata’s Titles from Japanese into English / 257
Sofija Stefanović, Nonce and Neological Constructions in Altered Carbon: A Quantitative Corpus Analysis / 271
Tamara Tošić, Evidentiality in Contrast: Serbian and English Academic Journal Articles / 287
Azam Rezaei, Ensiyeh Darzinejad, ‘Intra-Language’ and ‘Social Heteroglossia’ in Othello / 303
Július Rozenfeld, Perceptions of the USA in secondary and higher education institutions in East Slovakia / 315
BOOK REVIEWS
Cristina Chevereșan, Ágnes Zsófia Kovács. Beyond the Gilded Age, into the World. The Memory of Architecture in Edith Wharton’s Travel Writings / 329
Dana Percec, Arthur Rose. Asbestos – The Last Modernist Object / 333
Mihaela Mudure, Madalina Armie. The Irish Short Story at the Turn of the Twenty-First Century. Tradition, Society and Modernity / 337
Eliza Claudia Filimon, Pablo Gómez-Muñoz. Science Fiction Cinema in the Twentieth Century – Transnational Futures, Cosmopolitan Concerns / 341
Loredana Pungă, Daniela Pettersson Traba. The Development of the Concept of ʻSmell’ in American English / 343
NOTES ON THE AUTHORS / 347