Editorial and Advisory Board

Contents

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CONTENTS

DWELLING AFTER HUMANITY

Tanushree Mitra Sutanuka Banerjee, Exploring Conflicting Cosmopolitan Consciousness: The Transnational Theme in Henry James’s The Ambassadors / 9

Jyothis Josekutty, R. Joseph Ponniah, Stylistic Analysis of the Poem “I Dwell in Possibility” by Emily Dickinson / 17

Alexandru Budac, Ghost Light. The Strange Fabric of Reality in Cormac McCarthy’s The Passenger / 27

Nicolae Bobaru, Beyond Archetypes. Kathy Acker, Punk Aesthetics, and the Evolution of Feminist Narratives / 37

Cristina Chevereșan, Mocking the Myth: From Philip Roth to Word Smith / 49

Jovanka Kalaba Karlica, The Cultural and Historical Context of Parody in Postmodern Literature: The Case of Thomas Pynchon’s The Crying of Lot 49 / 61

Barbara Miceli, Two Fathers: Comparing Italian and American Father-Hood in Wally Lamb’s I Know This Much is True / 73

Milica Rađenović, The Post-Truth World in Lorrie Moore’s “I Am Homeless if This is Not My Home” / 83

Adriana Răducanu, Crimson Chronicles: Probing Illness and Politics in Dan Simmons’ Children of the Night / 91

Sridheepika Varadareddiar Subramanian, Kulamangalam Thiyagarajan Tamilmani, Posthuman Predilections and Protean Visions in Stephen King’s Billy Summers and Later / 105

Gabriela Glăvan, Writing the Covid  Pandemic:  The  Politics  of Storytelling in Fourteen Days (Edited by Margaret Atwood and Douglas Preston) / 117

 

SITUATED BEYOND THE SELF

Beatrice Nori, Hotels, Rooms and Beds: A Journey into Carol Ann Duffy’s Haunted Places / 131

Teodora S. Ilić, Parental Influence and the Electra Complex in Alasdair Gray’s Poor Things / 141

Fernando Galván, The Role of Female Agency in Biofiction: The Case of Maggie O’Farrell’s Hamnet / 151

Estella Ciobanu, To the Bare Bone: Anatomies of (Dis) Embodiment in Shakespeare / 163

Dragoș Ivana, A City of Contrasts: The Underbelly of Eighteenth-Century London / 177

Carmen Gómez-GalisteoSense and Sensibility Rewritten: Revising Love and Marriage in Jane Austen and Joanna Trollope’s Sequel / 187

Liudmyla Hryzhak, Exploring ‘Creature’ in Modernist Novels / 199

Jaya Pratha Radhakrishnan, The Angry Young Narratives in English Dystopia / 211

Catherine Macmillan, Something’s Burning (Out) in  Monica  Ali’s In The Kitchen: Gabriel’s Journey from Achievement-Subject to Homo Sacer and Beyond / 223

Ileana Șora Dimitriu, Displaced Lives: Ambiguities of Compassion in Michiel Heyns’s Novel Each Mortal Thing / 233

Jean Rossmann, Beverley Jane Cornelius, Demythologising the Rhino: From Dürer to Venter, From Beast to Being / 245

 

TERRITORIES OF BECOMING

Loredana Pungă, Andrea Putnoky, Judging Books by Their Titles: Translating Yasunari Kawabata’s Titles from Japanese into English / 257

Sofija Stefanović, Nonce and Neological Constructions in Altered Carbon: A Quantitative Corpus Analysis / 271

Tamara Tošić, Evidentiality in Contrast: Serbian and English Academic Journal Articles / 287

Azam Rezaei, Ensiyeh Darzinejad, ‘Intra-Language’ and ‘Social Heteroglossia’ in Othello / 303

Július Rozenfeld, Perceptions of the USA in secondary and higher education institutions in East Slovakia / 315

 

BOOK REVIEWS

Cristina Chevereșan, Ágnes Zsófia Kovács. Beyond the Gilded Age, into the World. The Memory of Architecture in Edith Wharton’s Travel Writings / 329

Dana Percec, Arthur Rose. Asbestos – The Last Modernist Object / 333

Mihaela Mudure, Madalina Armie. The Irish Short Story at the Turn of the Twenty-First Century. Tradition, Society and Modernity / 337

Eliza Claudia Filimon, Pablo Gómez-Muñoz. Science Fiction Cinema in the Twentieth Century – Transnational Futures, Cosmopolitan Concerns / 341

Loredana Pungă, Daniela Pettersson Traba. The Development of the Concept of ʻSmell’ in American English / 343

 

NOTES ON THE AUTHORS / 347